EXHIBITION FEATURE

Is Sydney's Sculpture by the Sea the world's most scenic art event? If you're lucky, you'll see whales too

Fifteen works photographed at Marks Park on opening Saturday, the Sweethearts installation, free weekend artist talks and when to look for humpbacks from the cliffs.

Keizo Ushio's grey granite twisted loop on a white granite base, on a sandstone ledge above the ocean with the coastline behind
Oushi Zokei - Enmusubi II by Keizo Ushio (No. 23), on the sandstone above the Pacific. Photo: Dan d'Auvergne

Art on the cliffs, in whale season

Sculpture by the Sea is back on the Bondi to Tamarama coastal walk from Friday 16 October to Monday 2 November 2026. It is the show's 30th year. About 100 sculptures by artists from Australia and overseas line the 2km clifftop path, and the organisers call it the world's largest free-to-the-public sculpture exhibition.

Plenty of cities stage big outdoor art shows. Very few set them on sandstone cliffs above the Pacific in the middle of the whale migration. We have been seeing humpbacks from the walk most mornings this week, so you can judge the "most scenic" question for yourself.

This year's $70,000 Aqualand Sculpture Award went to Harrie Fasher for Unveiling the Edges of the Sky (No. 27 below). Entry is free. The organisers suggest a $5 contribution per person or $10 per family, which goes to the artists and the cost of staging the show.

Current and upcoming outings

Selected for this guide, with dates and visitor details from the linked organisers. The suggestions are ours. Completed events drop out of this list; check each organiser for opening days and current availability.

01 / Bondi / Tamarama

Sculpture by the Sea, Bondi

When
16 Oct – 2 Nov
Where
Bondi to Tamarama coastal walk
Entry
Free

Celebrating 30 years at Bondi: about 100 sculptures on the 2km coastal walk, with Sculpture Inside at Marks Park open daily 10am to 6pm.

Before you go: Weekends are far busier. A weekday, or a 7am start, gives you the walk and the whale view with fewer people.

Sweethearts: the work you shouldn't walk past

Spread across the grass at Marks Park are 60 pastel concrete hearts. From a distance they look like the lolly hearts from a school canteen. Up close they are graves: a memorial to women killed by violence in Australia, many of them by a partner, their "sweetheart".

Each heart is carved with a phrase people use to excuse or minimise that violence: He was drunk. Rough patch. He's a good bloke. His team lost. She coulda left. Co-creator Philippa Lysaght told the ABC the phrases are meant to be familiar: "It should make you feel sick when you see that you recognise it."

Sweethearts (No. 38) is by Flim Flam Studio, a Sydney collective of Philippa Lysaght, Omi McCurdie and Matty McCarron, all first-time exhibitors. The phrases came from women in their community, Women's Community Shelters staff, victim-survivors and men's groups, and the facts behind the work were checked with the research body ANROWS. All profits go to Women's Community Shelters.

15 works to find at Marks Park

We photographed these works on Saturday 17 October, all in and around Marks Park. They are listed by catalogue number, which matches the plaque at each work and the official map. Each artist's name links to their own website where they have one. Chen Wenling has no website we could find, and Lubo Mikle's site was showing an error on 17 October, so those two link to their entries in the official exhibition guide.

Chen Wenling's Cloud Watcher: a grinning red figure holding a mirrored sphere above his head, reflecting the crowd and lawn of Marks Park, against a blue sky
Cloud Watcher Photo: Dan d'Auvergne
21

Cloud Watcher

Chen Wenling ↗ China

Bronze, stainless steel and paint · 3.6m tall

A red figure balances a mirrored sphere on his head. Chen took the idea from the poet Wang Wei's line: "Walk to where the water ends, sit and watch the clouds rise."

Artwork: Cloud Watcher by Chen Wenling. Photographed at the public exhibition.

Keizo Ushio's grey granite twisted loop on a white granite base, on a sandstone ledge above the ocean with the coastline behind
Oushi Zokei - Enmusubi II Photo: Dan d'Auvergne
23

Oushi Zokei - Enmusubi II

Keizo Ushio ↗ Japan

Grey and white granite · 2.4m tall

A twisted granite loop based on a Mobius strip, a shape that stays joined even when it is cut. Ushio says it imagines a good relationship between two people. This is his 50th Sculpture by the Sea show.

Artwork: Oushi Zokei - Enmusubi II by Keizo Ushio. Photographed at the public exhibition.

Elyssa Sykes-Smith's Seed: white and black timber shards bursting upward from a plinth on a sandstone ledge, deep blue ocean behind
Seed Photo: Dan d'Auvergne
24

Seed

Elyssa Sykes-Smith ↗ NSW

Reclaimed wood and paint · 2m tall

White and black timber shards burst upward from a narrow base. The work draws on the regrowth that sprouts from burnt trunks after the Black Summer fires.

Artwork: Seed by Elyssa Sykes-Smith. Photographed at the public exhibition.

Lubo Mikle's H.T.S.: a cluster of black spiked star shapes on a thin stand, on a sandstone platform in front of a low wall and open ocean
H.T.S. (2024) Photo: Dan d'Auvergne
26

H.T.S. (2024)

Lubo Mikle ↗ Slovakia

PVC and zinc-coated steel · 2.2m tall

A cluster of black spiked stars on a thin stem, set on the sandstone with nothing but ocean behind it. The artist's statement is two words: "Parallel reality."

Artwork: H.T.S. (2024) by Lubo Mikle. Photographed at the public exhibition.

Looking up into Harrie Fasher's rust-coloured steel frame, with a figure of twisted bronze and branch-like forms suspended against the sky
Unveiling the Edges of the Sky Photo: Dan d'Auvergne
27

Unveiling the Edges of the Sky

Harrie Fasher ↗ NSW

Steel and bronze · About 6m tall

This year's winner of the $70,000 Aqualand Sculpture Award. A huge open steel frame holds a figure that pays homage to female deities in ancient Indian mythology, about emerging from darkness into light.

Artwork: Unveiling the Edges of the Sky by Harrie Fasher. Photographed at the public exhibition.

Shovin Bhattacharjee's Growth Within: a black studded pod with polished steel stems, mirror domes and a red flower, on the lawn at Marks Park
Growth Within Photo: Dan d'Auvergne
32

Growth Within

Shovin Bhattacharjee ↗ India

Stainless steel · 2.4m tall

A dark studded pod sprouts polished steel stems topped with mirror domes and a red flower. Bhattacharjee says it is about inner change that blossoms outward.

Artwork: Growth Within by Shovin Bhattacharjee. Photographed at the public exhibition.

Rows of pastel concrete hearts in the grass at Marks Park, carved with phrases including He was drunk, Rough patch, He's a good bloke and His team lost
Sweethearts Photo: Dan d'Auvergne
38

Sweethearts

Flim Flam Studio ↗ NSW

Cement and mixed materials · 55cm hearts

Heart-shaped graves for the women killed by violence in Australia this year. Read more in the section above.

Read more above.

Artwork: Sweethearts by Flim Flam Studio. Photographed at the public exhibition.

Clayton Blake's Pinnacle: a tall, narrow, mirrored steel spire with a grid of square cut-outs, visitors standing at its base on the Marks Park lawn
Pinnacle Photo: Dan d'Auvergne
47

Pinnacle

Clayton Blake ↗ Queensland

Stainless steel, acrylic and lighting · 12m tall

A 12-metre mirrored spire you can walk inside. Blake drew on Brutalist architecture and uses forced perspective so it seems to keep rising forever.

Artwork: Pinnacle by Clayton Blake. Photographed at the public exhibition.

Close view of Bronwyn Berman's woven blue-green copper form, studded with pale river stones and hanging from silver steel branches
What is Happening to Me? Photo: Dan d'Auvergne
50

What is Happening to Me?

Dr Bronwyn Berman ↗ NSW

Stainless steel, copper and river stone · 4.2m wide

A woven copper form, studded with river stones, hangs from upturned steel branches. Berman says it is about disorientation and our upturned relationship with nature.

Artwork: What is Happening to Me? by Dr Bronwyn Berman. Photographed at the public exhibition.

Sam Hopkins' Drawn Apart: a slender mirrored steel column pinched in the middle, with the word LOVE skywritten in the blue sky above it
Drawn Apart Photo: Dan d'Auvergne
Second view of Sam Hopkins' Drawn Apart: a mirrored steel column pinched in the middle, on a grassy slope above the sea
Another view of Drawn Apart. Photo: Dan d'Auvergne
53

Drawn Apart

Sam Hopkins ↗ WA

Brushed mirror stainless steel · 3.8m tall

A tall mirrored column that pinches almost to nothing in the middle: two forms that were once one, slowly separating. The word LOVE overhead is another artwork, Stephanie Quirk's skywriting piece, written above the coast on opening Saturday.

Artwork: Drawn Apart by Sam Hopkins. Photographed at the public exhibition.

James Parrett's M-fiftyseven: sweeping polished steel arcs curling upward like a wave, on a bed of red mulch with the ocean behind
M-fiftyseven Photo: Dan d'Auvergne
54

M-fiftyseven

James Parrett ↗ NSW

Marine-grade stainless steel · 2.6m tall

Cut and rearranged circular arcs that look like a wave curling over. Parrett won the top Aqualand prize here in 2018.

Artwork: M-fiftyseven by James Parrett. Photographed at the public exhibition.

James Rogers' Solander: open loops of dark rusted steel on the grass, with the ocean on the horizon
Solander Photo: Dan d'Auvergne
55

Solander

James Rogers ↗ NSW

Steel · 2.5m tall

Looping ribbons of dark steel. Rogers was in the very first Sculpture by the Sea in 1997, has shown at Bondi 22 times and won the top prize last year.

Artwork: Solander by James Rogers. Photographed at the public exhibition.

Jimmy Rix's Silent Crossing: a rust-coloured steel owl with long arched wings standing on the lawn, Bondi apartments behind
Silent Crossing Photo: Dan d'Auvergne
57

Silent Crossing

Jimmy Rix ↗ Victoria

Corten steel · 2.5m tall

An owl in flight, its wings forming an arch you can frame the Bondi skyline through. Rix calls it a symbol of passage between seen and unseen worlds.

Artwork: Silent Crossing by Jimmy Rix. Photographed at the public exhibition.

Ian Swift's driftwood great white shark on poles, with hand-painted lettering along its body, above the rocks with Bondi apartments behind
A Great White Pointer View Photo: Dan d'Auvergne
66

A Great White Pointer View

Ian Swift ↗ NSW

Driftwood, glass, bone, plastic and timber · 2.75m long

A driftwood shark with a message painted along its side. Swift's statement: "Humans! Go back to where you came from!"

Artwork: A Great White Pointer View by Ian Swift. Photographed at the public exhibition.

Paul Ewart's Both Sides Now: a faceted mirrored head on a rusted steel post, reflecting the surf and rocks below Bondi's southern headland
Both Sides Now Photo: Dan d'Auvergne
67

Both Sides Now

Paul Ewart ↗ NSW

Polished steel · 2.8m tall

A faceted mirror head based on Janus, the two-faced Roman god. Each face looks the opposite way and can never see the other's view. Ewart is a first-time exhibitor.

Artwork: Both Sides Now by Paul Ewart. Photographed at the public exhibition.

Free artist talks every weekend

The artist talks are free and open to everyone. They run each weekend of the exhibition between 10am and 3pm, at the work being discussed, and the day's schedule is posted on blue Aqualand Artist Talks boards along the walk.

The programs for the middle weekend (24 and 25 October) and the final weekend (31 October and 1 November) have not been published yet. Check the official page before you go. While you are there, vote in the People's Choice Award.

Blue Aqualand Artist Talks board on the coastal walk listing opening weekend times, artists, locations and site numbers
The opening weekend schedule on site. Photo: Dan d'Auvergne
Artist talks, Sunday 18 October
TimeArtistWhereSite
10amNigel DobsonMarks Park37
10.30amProcrastinatedonMarks Park41
11amDominique SuttonMarks Park40
11.30amMalcom BywatersGaerloch Ave69
1pmGleb DusavitskiyGaerloch Ave76
2pmNenad MilovanovićMarks Park25

When to look for whales

Humpbacks are heading south past Sydney right now. NSW National Parks says whales travel south from July to November. Spring is when mothers pass close to shore with their calves.

  • 7am to 9am: when we have been seeing them most mornings this week, and the quietest time on the path.
  • Late morning to early afternoon: the official tip from Parks Australia, because there is less glare off the water.
  • Any time, if it is calm: a flat, clear day matters more than the hour, because blows and splashes are easier to spot on smooth water.
  • Where: Marks Park at Mackenzies Point, where most of the works above are. It also has an Aboriginal rock engraving of a whale that Waverley Council estimates is around 2,000 years old.
  • Bring binoculars and stay at least 5 metres back from cliff edges, as NSW National Parks advises.

Getting there: leave the car at home

Around 450,000 people are expected over the 18 days and parking near Bondi fills early on weekends. Transport for NSW and the organisers both recommend public transport. Marks Park sits roughly halfway along the walk, so you can start from either end.

  • Bondi end: start at Notts Avenue, next to Icebergs. Tamarama end: start near Pacific Avenue.
  • Route 333 runs from Circular Quay to Bondi Beach. Or take a T4 train to Bondi Junction and a bus to the beach.
  • Extra buses: the 381 loop between Bondi Junction and Tamarama (daily, 9.15am to 6.50pm), the 380 to North Bondi (about every 10 minutes, 10am to 5pm) and the 362 from Coogee and Bronte (weekends, every 15 minutes, 10am to 6pm).
  • Special event clearways apply on all three weekends and cars are towed. Notts Avenue is closed to traffic 7.30am to 6.30pm daily.
  • Go on a weekday if you can, or start at 7am with the whales.

Sources & checking

Photographed in person at the exhibition on 17 October 2026 and checked the same day against the sources below. Programs, transport and access can change, so check with the organiser before you travel. Whale sightings are never guaranteed, and this is not safety advice.

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